Bronte News and A little More About Films
A brief review of the book Angry Words Softly Spoken: A Comparative Study of English and Arabic Women Writers by Alanoud Alsharekh.
The main premise of this study relies on many of the theories presented by the 1970’s feminist critical movement, especially that of Elaine Showalter’s tripartite structure.It also suggests a new tripartite structure for the evolution of feminist consciousness in works of fiction involving an inversion of scales in ‘softness’ and ‘anger’ explored through the work of such authors as Charlotte Brontë, Sarah Grand, Virginia Woolf, Layla al Othman, Nawal al Saadawi and Hanan al Shaykh.
The search for more information on Jane Eyre 1963 is on. I spent much of yesterday sifting through internet posts and fora- in some cases finding something exciting only to find that the post had been deleted. If anyone has any memories of the production, or knows if anything has survived from it, do not hestitate to contact me at bronteana.blogATgmailDOTcom.
So far, the obituary of Richard Leech, who played Mr Rochester, contains the best information on the style and reception of the work:
Leech had a busy career in films. His army officer in Ice Cold in Alex typified many of the offers that came his way: well-spoken and very much officer material. However, he always brought a definite sympathy and elegance to such roles. Sometimes he gave them a fine touch of irony, which allowed him to develop his skill at underplaying a character. In Tunes of Glory (in which he cut a fine figure in a kilt and did an athletic Eightsome Reel), he was one of the mess officers caught in the unholy struggle between John Mills and the hard drinking Guinness. Leech delivered careful, well-rounded performances in numerous other films, including Gandhi, Young Winston, The Dam Busters and The Shooting Party.
Leech was also a well-known face in numerous television dramas. In 1963, he was cast in a BBC serialisation of Jane Eyre as Mr Rochester (opposite Ann Bell), but it cut little ice with the public.