Bronteana: Bronte Studies Blog Archives

May 4, 2006


Today's Brontë News

Emily Brontë will be one of the authors of works available from Spoken Network audiobooks.

Emily Brontë's favourite flower, the bluebell, is under threat of hybridisation with commercial and Spanish varieties of the flower.

We have another use of the term 'Bronte-esque' (we are compiling the uses of this term, and maybe someday it will end up in the OED):

By 15, I had already penned an 800-page tome of Bronte-esque proportions, and I don’t mean that in a good way. It smacked of Jackie Collins and Danielle Steele, although I hadn’t (and still haven’t, to this day) ever read a word they‘d written.

Jane Eyre is part of the 'essentials of British and World literature' in new school textbooks.

And Humboldt Light Opera Company's production of Jane Eyre: The Musical is reviewed here. Possibly the production doesn't work entirely on a small stage?

Although “Jane Eyre” may not translate well from 19th century gothic novel to 21st century musical production — at least, not on the small stage — Humboldt Light Opera Company continues its tradition of not settling for the easy out. They continue to take on challenges and provide pleasurable and entertaining theater-going experiences for the North Coast.

May 2, 2006


Two More Clips for Musical Fans

Thanks again to Thisbeciel, here are two clips from promotions for Jane Eyre: The Musical. One is the performance of the song 'Secret Soul' from the Rosie O'Donnel show, and the other is a performance of the same song from Bway on Bway. Enjoy!


Jane Eyre the Musical: Irving, Texas Fan Review

Brontëana reader, Rinabeana, has taken the time to write her impressions of the production now playing in Irving Texas (details here). This is a long excerpt from her review at the League of the Extraordinarily Rochester Obsessed, which explains some of the short cuts here. If possible I will post the rest in a convenient way.

The prelude is a backlit stage with Rochester calling Jane, Jane, Jane across the moors. I was about to have a heart attack thirty seconds into the show I was so excited! The basic set was a large ramp platform, with additional ramps leading to each side of the stage. The large central ramp was tilted to the side so one side of the front end had a step and the other went down to the stage. They lowered windows and doors and moved furniture often to set the different scenes. It was fairly sparse, but you could definitely get the idea. If I recall correctly, the original production had a giant circular rotating stage, but that was definitely not the case here. Much lower budget, I imagine.

I don't know how many of you have seen the show, but I was absolutely SHOCKED at how much music was not included in the original cast recording. I'd say that at least half of the songs were new to me. I marked all the new material with stars on the program (which I scanned and included below) and it's a lot! Plus, there is quite a bit of dialogue without music. I was overjoyed that much of that was straight out of the text! Imagine my glee when Rochester referred to Jane's "fairy ring" and the "men in green"! Pretty much all of Mrs. Fairfax's additional songs were to the tunes of Perfectly Nice and Slip of a Girl. In fact, I didn't hear a lot of new music, just lots of new lyrics. They definitely put the most important songs on the original cast recording. WHY COULDN'T THEY INCLUDE IT ALL, THOUGH??? I was sold at the scene after Hay Lane when Rochester sings Captive Bird while inspecting Jane (by sort of gimping around her) and it was positively smoldering! WHEW! Also, if you aren't familiar with the story (which doesn't apply to anyone here of course), it's quite choppy to go from Perfectly Nice to As Good As You. I love the in between stuff!

I think one of my favorite parts with Jane is definitely Painting Her Portrait. I know this is a community for the Rochester love, and I do like his and his and Jane's songs the best, but I still adore Jane. Painting Her Portrait so perfectly encapsulates her passion and inner turmoil. It's perfect that no one else is involved in the scene at all because she rarely lets anyone else see her emotion. The actress did a great job fiercely drawing and then tearing the pictures when she was done. My poor Jane!

The Gypsy scene cracked me up! I definitely got a feel for how it would be staged from listening to the original cast recording, but it's so fun to see Rochester in his woolen shawl and floppy hat mocking all the snippy girls! They certainly played up their parts, huffing away when he insulted them. Blanche nearly had a temper tantrum, which was fabulous! And who couldn't love the part when he reveals his identity to Jane? I did think it kind of went too far when he asked her how Blanche reacted and Jane told him that she flounced off looking upset. Our smart Jane would have realized that he was playing a trick on her and not been quite so incredulous at the proposal. It was funny, though.

I already mentioned the St. John part, but I can't stress enough how much I disliked the set-up. That's really my only major complaint with the show. Jane NEVER fell for him and he certainly didn't love her! The implication was that she had given up on Edward and was all set to go to India as a wife. There was no psychological manipulation and then the twit tells her she's formed for labour and everyone is on to his game. I think that's why everyone laughed, since the set-up was so incongruous with the denouement in that scene. Of course everyone was rooting for Rochester, even if they didn't know the story! The Voice Across the Moors always gives me chills anyway. I wanted to shove St. John off the stage because he's so extraneous there! HEE!

The return to Thornfield was amazing. After Fairfax explained what had happened, Robert helped the blind (and disfigured!) Rochester to a little bench. That nearly broke my heart. Though Jane didn't sit on his lap (pooh!) the chemistry between them in this scene was wonderful! I totally lost it when Rochester sang to the baby, too! Of course, after that the baby got whisked off stage (through Jane, then Adele, then the maid/nurse) right quick! If it wasn't for Jane's ridiculous huge puffy sleeved dress, that scene would have been perfect!

From the program it also looks like severals songs were renamed. Before Jane leaves Thornfield, the song 'Sirens reprise' has been renamed 'Sail Away' which sounds like an '80's pop tune… Other items from the review: the audience appears to be aware of Bertha before Jane is. The audience sees Bertha attack her brother, but it is the butler not Jane who tends Mr Mason. There was also an unwise blending of the characters of Miss Scatcherd and Miss Temple- not a doubling, a blending, and St.John was unappealing but vaguely a love-interest (which disturbs this fan and others in the audience who burst out laughing at him).

ETA: Ah, also, Rinabeana reports that Mr Rochester (Greg Dulcie) is 'a giant bear of a man', at least a foot and a half taller than Jane. From the program I see that he indeed has played Goliath in a play King David. His credits also include: "costarred with a streaking sheep in the number one ranked Super Bowl commercial for Budweiser." Did he tackle it?

April 30, 2006


Old Footage Comes to Light

In the history of a musical, one can never be sure what will come to the surface and when. Yesterday a 14 minute fragment of footage from the Gordon/Caird Jane Eyre: The Musical came to light, out of the depths of fandom where it had been cherished for several years. Only 14 minutes of the production at La Jolla. this production lies at the centre of the massive reconception of the work, when it transformed from 'musicalised BBC drama' to 'Cliff Notes Jane Eyre.' It is peculiar, and any new material is something special. I do have a full audio recording of the work, but it leaves me with more questions than answers.

This clip includes the Gypsy scene and the proposal. The quality is rather poor but good enough to show some of the staging- the elusive chestnut tree for example. Unfortunately the clip cuts off abruptly before the moment the tree is struck- which is something of a mystery to me; how it was done. I asked the composer, Paul Gordon, about this once. He recalled that there were in fact two trees. That they were rapidly switched and that it was 'very noisey'. The tree was so noisey that it 'not infrequently set off the fire alarms' and the theatre would have to be evacuated! Somewhat too realistic, perhaps!

I think the technical demands of using this effect in turn had an effect on the music. There is a strange bit of music during the La Jolla proposal scene which fans of it have mockingly dubbed 'Rochester Triumphant.' Now, the recording is made from the sound board so the effects are always louder and more obnoxious than they would be in the theatre, but 'Rochester Triumphant' features trumpet fanfares and other effects culminating in a shout of exhaultation from Mr Rochester followed by bells and a choir. It is awful, doesn't appear before or after this stage in the show's development. And I think it is all to cover up the noise of the tree.

For those who are curious, the cry goes something like this:

Let fire burn wild and deep,
Raging skies bleed bitter rain
but there is peace, I have my Jane!

This last image is from the gypsy scene and apparently shows Mr Rochester doing his impression of a matador (just to show off his acting ability, of course! His hair is also notorious in this production. It is quite a hideous Zamorna wig) and there's Jane encouraging this sort of behaviour.

April 3, 2006


Jane Eyre: The Musical at Blackpool

Thanks to Agnes and Mrs. Dionysius O'Gall, for the news and the link.

Showing 27-06-2006 to 01-07-2006
Performance Times: Tuesday to Saturday at 7.30pm
Wednesday & Saturday matinees at 2.30pm
Book by John Caird (2000)
Based on the novel by Charlotte Brontë (1847)
Music & Lyrics by Paul Gordon


‘My name is Jane Eyre. My story begins, gentle audience, a long age ago, in the dark and lonely attic of Gateshead Hall…’The famous story of Jane Eyre makes for a dramatic storyline in this gripping new musical. This haunting adaptation of Charlotte Brontë’s novel opened in 2000 on Broadway, to rave reviews. Composer Paul Gordon (who wrote for artists such as Bette Midler, Smokey Robinson and Quincy Jones) creates a sumptuous listening experience, especially for its memorable melodies and lyrics. The show’s creators come closer than anyone could have imagined to capturing the spirit – and spirituality – of this dark, Cinderella-like story.

The novel tells of a plain, feisty orphan in the Yorkshire Moors, surviving an horrific childhood to become governess and, ultimately mistress of Thornfield Hall, owned by the mysterious Rochester. They are all threatened by destruction, by a dark secret hidden in the attic.

Premier Theatre Company, famous for Chess, Mack & Mabel and Ragtime The Musical, return to the Grand, to offer patrons another opportunity to witness a ‘premiere’.

Presented By: An Amateur Production Presented By The Premier Theatre Company By Arrangement With Josef WeinBerger Limited

Booking information
Tickets: £6.50 to £15
Concessions available
Friends of the Grand: £3 off any performance
Students and Teachers: £5 Wednesday Matinee only
No concessions on Tuesday evening or any Saturday performances.
For tickets call our Box Office on 01253 290190

*This is not, in fact, the British premiere of Jane Eyre: The Musical. The show premiered in the UK last August, according to Bronteana archives.

March 6, 2006


"Where did you see Latmos?…"

Why, here of course. Thanks to Thisbeciel, we have some clips to show you from the BBC's 1973 Jane Eyre, starring Sorcha Cusack and Michael Jayston, which is due for DVD release this June. It is much loved for its fidelity to the book as well as for the calibre of the cast.

"I was tormented between my idea and my handiwork. Each time I would imagine something- something I was quite powerless to realise…"

The Interrupted Wedding

As you see, there are other Jane Eyre clips on this site, including the 'Sirens' performance from Jane Eyre: The Musical presented at the Tony awards, for which the show was nominated. Also there is a clip from the Hindi film Sangdil, which I will have much to say about at a later date.

Also, I would like to say that the Brontëana resource site also has a bunch of new etexts, mostly juvenilia but there are also some pieces by Branwell, and Patrick Brontë

I may have to be scarce this week. As I told one of my professors today, my workload for the week will probably reduce me to a puddle of goo by Sunday. At least I have that novel edited and annotated… and a commentary written… and… suggested revisions made… I just have to write the backcover copy, then write a paper on writer contracts, another paper on the Romance of the Rose, prepare for an in-class essay on Beckett, and then prepare for my first real conference! I will be presenting a paper on Emperor Claudius- which is fitting because last night I stepped on a thorn and now I have a nice Claudian limp. Here's hoping that those attending the conference think that I'm trying to be amusing.

February 28, 2006


Filed under: Jane Eyre,Jane Eyre: The Musical,Media,Wuthering Heights — by bronteana @ 1:26 pm

Brontëana Index

Firstly, long-time readers will notice a slight change to the Brontëana layout. I have been trying to find an efficient way to organise the archives for some time and have finally met with some limited success. This is only a start, but now for the first time you can search the archives from the bottom of the sidebar under 'Brontëana Index'. So far I have only indexed the primary works of the Brontës and the immediate family members themselves- although the archives contain information about the extended family as well. All of that and more will be more readily available in time. But it is a step in the right direction! Check back soon, I intend to keep working on it over the week.

Secondly, I have been following the progression of a musical 'Emma' by Paul Gordon, the composer of the Broadway musical Jane Eyre, for Austenblog. I am not entirely sure what to make of this comment, however:

How plays are born: Central Works' collaborative method is only one of many script development models in use in the Bay Area. TheatreWorks has been attracting increasing national attention in the new musicals field following a more traditional scheme. Its Spring Festival of New Works, expanded to two weeks (April 25 to May 7), features first-time staged readings of four new musicals: "Emma," adapted from Jane Austen by Paul Gordon (moving up the literary ladder from "Jane Eyre")…

Humph! Not that I mean to demean Miss Austen and her works… But humph! all the same!

And thirdly, I don't know what to make of the Mystery of Irma Vep either!

The Mystery of Irma Vep finds two actors performing eight sizable roles in a tale that's a wildly improbable mix of melodramatic literature and film, from Wuthering Heights to The Wolf Man, The Mummy and vampire legends.

January 12, 2006


More Video Clips from JE the Musical and Transvestism in CB

This is sure to please Esther! Thanks once again to Thisbeciel for these clips from the Jane Eyre Musical! Some of these are repeats from the last time, but I don't think anyone will mind too much?

An Icy Lane
You examine me
Waking Rochester
I know who heals my life
the Gypsy
the Proposal
Wild Boy/Farewell Good Angel

Thisbeciel also came across this interesting poem, 'Transvestism in the Novels of Charlotte Bronte' by Patricia Beer

1 When reading Villette, Shirley and Jane Eyre,
2 Though never somehow The Professor
3 Which was all too clear,
4 I used to overlook
5 The principal point of each book
6 As it now seems to me: what the characters wore.

7 Mr Rochester dressed up as the old crone
8 That perhaps he should have been,
9 De Hamal as a nun.
10 There was no need
11 For this. Each of them could
12 Have approached his woman without becoming one.

13 Not all heroines were as forthright.
14 Shirley in particular was a cheat.
15 With rakish hat
16 She strode like a man
17 But always down the lane
18 Where the handsome mill-owner lived celibate.

19 Lucy, however, knew just what she was doing.
20 And cast herself as a human being.
21 Strutting and wooing
22 In the school play
23 She put on a man's gilet,
24 Kept her own skirt, for fear of simplifying.

25 Their lonely begetter was both sister and brother.
26 In her dark wood trees do not scan each other
27 Yet foregather,
28 Branched or split,
29 Whichever they are not,
30 Whichever they are, and rise up together.

January 5, 2006


Jane's Journey Part 4, and More News on JE '06?

And now we have James Barbour's interview from the November 6th episode of Broadway Beat 2000. A special thanks to 'English' and Kathey for helping me date this piece.

James Barbour (Mr Rochester): I had read the novel three times- the third time just before I went to do La Jolla, and that time with Rochester in mind. And I just realized at that point that- I mean, I've done roles like Billy Bigalow and The Beast. Billy Bigalow is a multidimentional role and he's always on all the time. The difference is this man has probably thirty more layers than Billy Bigalow does. And once I got in production, once we got in rehearsal I realised how- I mean, he's delicious! And that's what I gravitated to but it's the darkness, the happiness, the torture, the love, the unrequited love, I mean just unbelievable levels. And trying to make them all fit into one character was the challenge- and it still is the challenge. That's what I enjoy about it.

Next time, Mary Stout (Mrs Fairfax)!

For more on James Barbour and Rochester, see the post entitled Actors on Playing Mr Rochester Part 3.

Next, mysticgypsy informs me that she has recieved word from the BBC Drama webteam that there are no plans to produce either 'Jane Eyre' or 'Villette' anytime soon. This is no cause for alarm, I think. My friends discovered that the BBC was planning on releasing the 1973 production after months of hearing that they had no plans to.

December 31, 2005


Hardcover JE Reviews and An Up Coming Production of Jane Eyre the Musical

In a previous post, I directed those interested in buying an edition of Jane Eyre to a post at another blog. The same blog also has a review of hard cover editions of JE, which can be found here.

And just a reminder, Jane Eyre the Musical is soon to open at Abilene Christian University, Abilene, Texas.

Winter Dinner Theatre:Jane Eyre
Book and additional lyrics by John CairdLyrics and Music by Paul GordonBased on the classic novel by Charlotte Brontë

This sweeping story of love and suspense, with universal and timeless themes, is a musical feast your heart will never forget. Faithful to the cherished novel, Jane Eyre is thrilling from the start to the tearful, triumphant ending. A recent Broadway favorite, the musical features songs such as "Forgiveness," "In the Light of the Virgin Morning" and "Brave Enough for Love." Don't miss this inspiring family treat.

Feb. 16-18, 24-25, March 3-4, 2006
Fulks Theatre
For tickets, call 325-674-ARTS (2787)

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